ToneLib GFX
Perfect Custom Tone with a Complete Guitar Studio.
TL GFX 4.9 Update is now available for download: Global EQ, Looper Fix, TL GrandMagus add-on support and more. Learn more...
TL GFX is a comprehensive guitar VST plugin/Standalone app that combines a vast collection of high-end guitar gear with a complete guitar studio, ideal for day-to-day practice routine, jam sessions and live performances.
TL GFX Effects collection features over 80 pieces of guitar gear, painstakingly modeled based on actual circuit diagrams of real-life analogs. From some of the most famous guitar amps to indispensable pedals and modulation effects, the TL GFX suite has everything you could possibly need to create a top-notch custom guitar tone.
With the TL GFX Standalone, a complete guitar studio can easily fit into just one app. From the must-have Tuner and Metronome, to a Backing track player, Rhythm Machine, Loop Station, Audition Mode and much more, you'll find all the tools you need for everyday guitar practice, quick demo recordings, vibrant jam sessions and even live gigs. No need for DAWs and complicated setup - just plug in your guitar and start playing!
By joining TL GFX's lively Online Community, you'll have access to a huge online preset library to fit any taste. Plus, in the regularly updated Collections section, you'll find over a hundred custom presets in the style of famous guitarists and rock bands.
22 amplifiers based on the most renowned real-world equivalents;
Over 60 models of guitar gear: from overdrive and dynamics control pedals to rack modulation effects;
Over 40 pre-made presets suitable for all genres, allowing you to start playing right away;
Cab sims with over 500 IRs, manually captured from the famous speakers;
Essential features for your day-to-day practice routine: from the must-have tuner to backing-track player and built-in recorder;
Access to Online Preset Library and Custom presets Collections with 150+ ready-to-use presets.
Lowest CPU Usage with a feather-light DSP engine.
What made the story enduring was not the controversy, but the question it posed to popular media: Can a violent tradition be translated into entertainment without its original soul—or its original victim? Naomi Sergey’s answer was a digital bullring, empty of blood, full of mirrors, where the only creature truly exposed was the audience itself.
By 2028, “SXXX Naomi Sergey Corrida” had become shorthand in media studies for a specific phenomenon: the gamification of culturally taboo rituals. Universities in Tokyo and Barcelona added the project to their curricula on “virtual heritage and ethics.” Sergey herself moved on to a new piece involving drone bullfighting over the Nevada desert, but she left behind a trove of data—over 500 hours of viewer interaction logs, haptic feedback loops, and AI-bull emotional modeling.
Mainstream outlets were conflicted. El País called it “a digital exorcism of a bloody ritual.” The Guardian ’s culture desk labeled it “post-human performance art that asks: if the bull feels nothing, do we feel everything?” Conversely, conservative media in the US and Russia decried it as “degenerate spectacle,” though this only boosted its viewership.
The “SXXX” prefix was deliberately ambiguous. To some, it signaled an adult-oriented, transgressive art label. To others, it stood for “Simulated Extreme X-choreography.” Sergey herself described it in a 2027 Wired interview as “the eroticism of danger without the death—except the death of the audience’s passivity.”
In the bustling entertainment hubs of Tokyo, Madrid, and Moscow, a new kind of star emerged in the mid-2020s—one who existed not on a traditional movie screen or a bullfighting arena, but at the chaotic intersection of virtual reality, performance art, and controversial tradition. Her name was Naomi Sergey, and her project, codenamed “SXXX Corrida,” would become one of the most analyzed pieces of popular media of the decade.
With a fully scalable interface you can arrange your TL GFX workspace in the most convenient way possible.
The lightest DSP ensures minimal CPU usage: you can handle multiple plug-in instances without any visible load on your device.
No DAW? No Problem! TL GFX comes in both VST and Standalone formats, so you don't necessarily need a DAW to utilize all its features.
What made the story enduring was not the controversy, but the question it posed to popular media: Can a violent tradition be translated into entertainment without its original soul—or its original victim? Naomi Sergey’s answer was a digital bullring, empty of blood, full of mirrors, where the only creature truly exposed was the audience itself.
By 2028, “SXXX Naomi Sergey Corrida” had become shorthand in media studies for a specific phenomenon: the gamification of culturally taboo rituals. Universities in Tokyo and Barcelona added the project to their curricula on “virtual heritage and ethics.” Sergey herself moved on to a new piece involving drone bullfighting over the Nevada desert, but she left behind a trove of data—over 500 hours of viewer interaction logs, haptic feedback loops, and AI-bull emotional modeling. SXXX Naomi Sergey Corrida -THX 2 NIPPYFILE---39- --39-
Mainstream outlets were conflicted. El País called it “a digital exorcism of a bloody ritual.” The Guardian ’s culture desk labeled it “post-human performance art that asks: if the bull feels nothing, do we feel everything?” Conversely, conservative media in the US and Russia decried it as “degenerate spectacle,” though this only boosted its viewership. What made the story enduring was not the
The “SXXX” prefix was deliberately ambiguous. To some, it signaled an adult-oriented, transgressive art label. To others, it stood for “Simulated Extreme X-choreography.” Sergey herself described it in a 2027 Wired interview as “the eroticism of danger without the death—except the death of the audience’s passivity.” Universities in Tokyo and Barcelona added the project
In the bustling entertainment hubs of Tokyo, Madrid, and Moscow, a new kind of star emerged in the mid-2020s—one who existed not on a traditional movie screen or a bullfighting arena, but at the chaotic intersection of virtual reality, performance art, and controversial tradition. Her name was Naomi Sergey, and her project, codenamed “SXXX Corrida,” would become one of the most analyzed pieces of popular media of the decade.
TL GFX comes in 64-bit VST / VST3 / AU / Standalone.
Windows 11, 10, 8, 7 or Vista (64-bit only);
macOS 10.13 or higher (64-bit only);
Ubuntu 18 or higher (64-bit only);