From cheesy 2000s montages to multiversal collapses, Peter Parker has aged from a nerd to a skater to a child soldier to a cartoon. The lesson? With great power comes great responsibility... and great box office returns.

The Art Apocalypse Wait, this isn't live action? It doesn't matter. This animated masterpiece makes the previous eight look like student films. Hundreds of Spider-people. A plot about canon events that breaks your heart. Spider-Punk. Spider-Cat. Spider-Rex. The cliffhanger ending leaves you screaming into the void. It is the best Spider-Man movie since Spider-Man 2 .

The Fan Service Nuke The multiverse opens. Tobey is back. Andrew is back. They hug. They point at each other. Doc Ock says "Hello, Peter." Willem Dafoe punches a wall. This movie has no plot, only nostalgia. And it works. You will weep when the three Spider-Men swing together. You will cheer when Matt Murdock catches a brick. This is theme park cinema, and it’s glorious.

The One That Started It All The holy grail. Kirsten Dunst’s upside-down kiss in the rain. Willem Dafoe’s unhinged "Godspeed, Spider-Man!" Green Goblin. The only crime this movie commits is making us believe that a New York crowd would throw bricks at a hero instead of filming him on a Nokia 3310.

The Perfect One Alfred Molina’s Doc Ock. The train sequence. Peter literally stopping a runaway train with his bare hands and teenage angst. This is the Godfather Part II of superhero movies. If you don’t cry when Peter reveals his mask to Aunt May, you are legally dead inside.

The Emo One We don’t talk about the finger-guns. We don’t talk about the jazz club strut. But we must talk about Topher Grace as Venom. This movie is a beautiful train wreck. It gave us the single greatest meme template of the 2000s. Is it bad? Yes. Is it entertaining? Like watching a live-stream of a dumpster fire. Emo Peter’s hair deserved its own spin-off.