It was great television. But it was an audio nightmare.
He opened PluralEyes 5.
He sent Stacey the file. Her reply came instantly: a single fire emoji. pluraleyes 5
Leo Voss was staring down the barrel of a ten-camera disaster. It was great television
Leo had been the A-1 sound mixer on set. He knew his own audio—a pristine, dual-system recording from his boom and lavaliers—was flawless. The problem was the cameras. To capture the frenetic energy of the warehouse floor, the producers had unleashed a horde of operators: three Sony FX6s, two RED Komodos, four GoPros zip-tied to drone cases, and one rogue iPhone 14 Pro held by an intern named Kevin who’d been told to “just get the vibes.” He sent Stacey the file
And tomorrow, he was going to buy Kevin a gimbal.
Leo leaned back. He felt a strange mix of relief and a tiny, bruised sense of professional pride. It had taken him ten seconds to do what would have taken him all night.