Target - Jessa Zaragoza - Masamang Damo
A man in a charcoal‑gray suit slipped a folded piece of paper onto her dressing‑room table just as she was about to slip on her glittering heels. The paper bore only three words, written in a hurried, slanted hand: Jessa frowned. Masamang damo —the “bad weed” she’d heard old grandmothers mutter about when warning kids to stay away from the overgrown fields outside town. It was a nickname for a rare, poisonous plant that grew in the highlands of the Cordilleras, a vine whose sap could dissolve metal and whose pollen could render a person unconscious for days. In the underground world it had become a weapon, a secret commodity traded among the most ruthless crime syndicates.
Guarding the case were three hulking men, their eyes scanning every corner. Jessa knew she couldn’t fight them head‑on; her strengths lay elsewhere. She slipped to the back wall, pressed her ear to the cold concrete, and listened. A faint, rhythmic tapping sounded like a metronome—someone in the room was counting, perhaps a timer, perhaps a signal. Jessa zaragoza - masamang damo target
She remembered the lullaby her mother used to hum while sweeping the porch: “Sampaguita, sampaguita, nagbubukas sa umaga…” The melody was simple, soothing, and, most importantly, it was a song that could be hummed under breath without drawing attention. A man in a charcoal‑gray suit slipped a
Jessa slid into the seat, the leather cool against her skin. “I’m a singer, not a spy,” she said, trying to sound nonchalant. It was a nickname for a rare, poisonous
Jessa Zaragoza had been singing the same love‑song chorus on stage for years, but that night in Manila’s historic theater something else was humming in the back of her mind—a low, persistent thrum that had nothing to do with the orchestra.
A sudden crash echoed as the guard, still entranced by the lullaby, stumbled backward and collided with a stack of crates, sending them tumbling. The other two men, now aware that something was amiss, lunged at Jessa. She sidestepped, using the fire‑extinguisher’s hose as a makeshift staff, striking one in the knee and knocking the other’s weapon aside.
She began to hum it, low and steady, letting the notes travel through the air. The men turned, confusion flickering across their faces. One of them, the one closest to the case, lowered his gun, his eyes glazed as the melody reached his ears. The music—a lullaby of home, of innocence—pierced the haze of the poisonous vine’s scent, reminding them of something pure they had long forgotten.