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For the next hour, Meera was transported. She ran her fingers over silks that shimmered like peacock feathers—deep blues, fiery oranges, the red of a bride’s kumkum . Each saree had a story. The moru (peacock) motif for grace. The asawalli (flower) for fertility. The narali (coconut) for prosperity. Her mother-in-law had once explained all of this to her. At the time, Meera had found it tedious. Now, she found it profound.

She walked home, not through the main road, but through the narrow peths —the old neighborhoods. She passed a temple where a priest was chanting the Rigveda . She passed a café where a barista was making a flat white. She passed a house where a kirtan was playing on loudspeakers, and another where someone was humming a tune from a Hindi movie from the 90s. For the next hour, Meera was transported

Jani. The word meant ‘roots’ in Marathi. Meera almost laughed. Ritu, who had once refused to eat bhakri because it was “too rustic,” who had changed her name from Rituparna to Rita in tenth grade, was now asking for roots. Life, Meera had learned, was a boomerang of ironies. The moru (peacock) motif for grace

A minute later, Ritu replied with a string of emojis: a crying face, a heart, a saree, an Indian flag. Then a text: “Who ARE you??” Her mother-in-law had once explained all of this to her

“The one with the kalka design,” he nodded. “What can I do for you today?”

The task had been given to her by her daughter, Ritu, who now lived in a sleek apartment in San Francisco. “Ma, for the Diwali party at the Indian community center. Everyone wears their ‘heritage’ looks. I need something authentic. Not a fusion disaster. Something with jani .”