Why was Ellen White so passionate about keeping the seventh day of the week holy?

Does God consider one day of the week more special than the others? How are we to remember the Lord's Day? Some readers of Ellen White find it difficult to understand why Ellen White viewed the keeping of the seventh day as an issue of loyalty to God. Could it be that she was confused about the origin of the day of worship? Is it true that the solemnity of the seventh day has been transfered to the first day of the week?

The Seventh Day video series answers these questions and much more—and it may now be watched online, using the links below. Click the "More info..." links below for a more detailed description of each part. Start viewing part 1 now by clicking on the Watch Video link below.

Hr Sounds Best Of Synth 1 -kontakt- May 2026

You try to make a simple chord sequence. Cm9 – Fmaj7 – G6. On a regular synth, it’s pretty. Here, it becomes melancholic, almost haunted. The filter resonance rings with a nasal, almost vocal quality. The envelopes are sluggish in a way that feels deliberate —like the synth is sighing between notes.

The first sound is called "Broken Juno Chorus." It doesn’t bloom—it shudders into existence. There’s a flutter in the right channel, a subtle drop in pitch, then a slow, sticky LFO that feels like vinyl warp. This isn’t your polite Roland cloud emulation. This is a synth that’s been left in a damp basement, still dreaming in analog. HR Sounds Best of Synth 1 -KONTAKT-

You load it up. The GUI stares back—utilitarian, almost brutalist. No fancy 3D renders. Just knobs, waveform icons, and a grainy preset list that looks like it was rescued from a 1998 cracked VST folder. You almost laugh. Then you hit middle C. You try to make a simple chord sequence