Hornady 366 Parts Diagram -

Arthur wiped the diagram clean of graphite smudges and refolded it along its ancient creases. He slid it back into the manual’s pocket. The 366 wasn’t just a reloading press anymore. It was a map of decisions—Hornady’s engineers on one side, his own repairs on the other. And between them, the trust that came from knowing exactly where every spring, pin, and punch lived.

Arthur’s eyes drifted to the upper tier: the Powder Slide Assembly (#85–92). The diagram showed the brass powder bushings nested like Russian dolls, the metering insert (#88) drawn with an almost anatomical precision. He remembered buying the machine used, finding an old #88 clogged with Unique powder that had turned to lacquer. The previous owner had never cleaned it. Had never looked at this diagram. hornady 366 parts diagram

He reassembled the 366 by the diagram’s reverse order. Lower tier, then upper. Cam followers greased. Pawl timed to the shell plate’s detent. When he finished, he dropped a primed case into station one and pulled the handle. Arthur wiped the diagram clean of graphite smudges

“That’s you,” Arthur whispered to the machine. “Bent stem or a tired spring.” It was a map of decisions—Hornady’s engineers on

The 366 had simply stopped feeling right . The stroke was spongy. The index pawl hesitated. A single #209 primer had failed to seat yesterday, crushed sideways in its pocket like a tiny, silver pancake. That one misfeed meant distrust. And in reloading, distrust meant you pulled the handle again, slower, listening.

His gaze settled on the part he’d never needed: the Primer Seater Punch (#43). In the diagram, it looked like a tiny mushroom—a flat face on a steel stem. But the callout box added a warning: “Seater depth adjustable via locknut. Do not overcam.” Arthur had read that note fifty times. Tonight, he realized what it meant. The 366 didn’t have sensors or computers. It had geometry. The punch’s travel was governed by a cam slot in the main shaft. If you over-cammed—if you forced the handle past its natural stop—you didn’t just crush a primer. You bent the punch stem. And a bent stem didn’t show on the outside. It showed in the feel, a year later.