He began dragging virtual cables. AmpliTube 5’s new (Volumetric Impulse Response) technology let him move a microphone inside the virtual cab by one centimeter. He dragged a Royer 121 off the dust cap of a Greenback speaker. The sound softened. He added a virtual compressors—a vintage 1176 clone—and the sustain bloomed like a flower opening in time-lapse.
Marco hadn’t slept in thirty hours. The deadline for the indie horror game "Echoes of Hollow Creek" was breathing down his neck, and the director wanted one thing: a guitar tone that sounded like a dying radio tower screaming into a hurricane. amplitube 5 logic pro
He sent the mp3 to the director.
Inside Logic Pro, the CPU meter flickered nervously. Marco was asking a lot. Logic’s famously efficient audio engine was trying to predict 44,100 samples per second of a virtual amp that was tearing itself apart. He began dragging virtual cables
“No, no, no…” he muttered.